How to yes

An argument could be made for the fourth. I'd advise that you favour the second, or perhaps the third depending on your dialect.

How to yes

Looking Around In the beginning Yes started out as a conversation between Anderson and self-taught bassist Chris Squire at a bar where Anderson was essentially the janitor. Both had been in various bands previously, but with little or no success.

Anyway, the two discovered that they had similar music interests; both loved rich vocal harmonies, but more than that, both were interested in the idea of fusing rock, pop, jazz, and folk with classical music well, with their relatively simplistic understanding of classical music, anywayof all things.

The two hit it off well enough that they decided to get together and, sure enough, form a band. Elements of their future style can certainly be found, primarily in the extended introductions before a number of the songs, but Close to the Edge this is certainly not.

After all, who ever said that "conventional" music was How to yes inferior to complex pieces? For one thing, the two short ballads, "Yesterday and Today" and "Sweetness," are simply beautiful.

Heck, on the BBC Sessions, you can even hear the announcer say before "Sweetness," "This man has a lot of soul in his voice"!

And, of course, the melodies are very pretty. Another distinguishing feature of this from the "classic" albums is the presence of cover tunes, both of which rule. Originally, it was a cute pop song with nice vocal harmonies and a good melody - here, the introduction is a blood-thirsty prog-jazz monster, giving absolutely no hint of the actual nature of the song itself in fact, one might even be thrown off by the quotes of "Day Tripper" here and there.

And fortunately for all, the vocal harmonies are able to do some justice to the original ones, so even if the beginning scares you, solace can be taken in the main part of the song. The other four songs are forces to be reckoned with as well.

How to yes

My favorite, as you can tell from the bold letters above, is side-one closer "Looking Around. The other three are nearly as good, though. Same goes for the closing "Survival," the closest thing to a progressive composition to be found on this album.

I for one consider the introduction to the piece terrific - the bassline is eerie, and the rest of the intro, while not incredibly complex, is untrivial while remainging interesting. And the main body, while meandering a bit at times, picks up steam and focus near the end of each verse leading into the chorus.

Besides, even if you hate progressive rock, it would be a shame not to own something by these guys, and since Yes was a fully professional and exciting group from the very beginning, this may as well be it.

And on this album, it shows that Anderson really knows how to pen a song, i.

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And these two in particular work very well. Net So this is Yes as they began. The songs are almost all good-to-great only the two slightly dippy ballads - "Yesterday And Today" and "Sweetness" - and the ridiculously overrated warning sign of things to come "Survival" slow the albumand Peter Banks sure can play guitar.

In fact, one of the reasons I like this disc so much is probably out of sympathy to Mr.

And what was once heresy has now become blasphemy: I think his playing is very underrated, though it is hard during his return to YES years later what his actual contributions are. Sure, Tony is primarily an organ and piano player, but he does some nice inflections of jazz and rockin his playing.

He may not have the flourish of Wakeman, Downes or Moraz, but he does have strength in his playing. Keyboards he has provided have always been very strong and sometimes moody. He is no Cans and Brahms. He is more a Jimmy Smith type player, concise, jazzy type lead organ, that embellishes rather than dominates the music.Coming off the best season of his career, James Paxton could be a difference maker in New York.

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grammatical number - Plural of 'yes' - English Language & Usage Stack Exchange